La Belle Et La Bête (1946)
Fig1 |
La
Belle Et La Bête 1946 was directed by Jean Cocteau and Rene Clement. Cocteau is
a director mostly known for his beautiful poems, for this reason he hired another
director who has more experience in creating a fantasy film. "Cocteau, a
poet and surrealist, was not making a "children's film" but was
adapting a classic French tale that he felt had a special message after the
suffering of World War II: Anyone who has an unhappy childhood may grow up to
be a Beast." (Ebert R, 1999) Not only was he trying to give a sign, he
also wanted the audience to feel relaxed and forget about everything and come
along in this wonderful adventure full of unrealistic, supernatural things, in
other words promoting escapism.
The
story is about a kind beast trapped in a kingdom because of his appearance. ‘Belle’
looks for his trapped father and takes his position. Later on, she feels drawn
to him and loved being around the beast who puts her up to a test. She visits
her family for a week, however if she does not return to the beast, he would
die. This is a tale of “not judging a book by its cover.”
Fig2 |
"The
music of Georges Auric accompanies the dreamy, fitful moods." (Crowther B,
1947) Agreeing with Crowther, the music was calm and had a fairy-tale mood. This
is because a mix of instruments and choristers were used to create a beautiful atmospheric
sound. Their tone of voice going up and down, the volume of the music used to alert
us of danger that is about to happen. The
none-diegetic sounds were a little over exaggerated, for example when breaking
the window or slamming the door to give a little shock to the audience. The
camera angles were also intelligently used to cover up simple tricks for example,
a longshot was used at the side of the wall to show the hands coming out of surfaces
as servants, thus making the audience feel tricked as if they are not real human
beings. "the theatrical designer Christian
Berard designed the makeup, sets and costumes (his ideas were based on the
illustrations of Gustav Dore)." (Ebert R, 1999) Gustav’s influence in this
production is clearly seen on the beast’s make-up; the long hairs and the dark
brown. The make-up artists intelligently glued certain parts of the masks on
the actors face to make it look realistic. Instead of us looking at a man
wearing a mask Berard painted Jean Marais’s skin brown most importantly round
his eyes.
Fig3 |
"Cocteau
uses wispy strands of lighting to magical effect and, to his credit, never
attempts to fashion anything but a fairytale, inducing a childlike wonder."
(Brealy L, 2000) The mise-en-scenes were well constructed particularly in the
beast’s castle. Even though the setting looked beautiful, relating to what
Bearly said, Cotceau idea of lighting and camera angles made the magical
effects powerful for example; in the second last scene when looking at his
gloves whilst walking into his garden a hard-key lighting was seen in this
scene, and a longshot was used from a bird’s eye view. Thus, making the
audience feel like the fairies in the garden watching him.
Fig4 |
In conclusion, everything
was carefully thought of; the costumes, lighting, set designs and camera
angles. Even though he used simple tricks Cocteau managed to use all these
techniques to create something influential.
Bibliography;
Ebert, R. -
https://www.rogerebert.com/reviews/great-movie-beauty-and-the-beast-1946
Crowther, B. -
http://www.nytimes.com/movie/review?res=9B03EFD71E3EEE3BBC4C51DFB467838C659EDE
Brealy, L. -
https://www.empireonline.com/movies/belle-et-la-bete-la/review/
Illustration
Fig. 1 - http://cineclap.free.fr/la-belle-et-la-bete-1946/la-belle-et-la-bete-1946-a04.jpg?lzv1sf
Fig. 2 -
http://fr.web.img6.acsta.net/videothumbnails/195/378/19537834_2013091115403491.jpg
Fig.3 -
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc-oinHYAJonaXbM7WOYVhLdMmZeofpvJegRxe4lfyUXsG2oN259Daac6V-Dky1gUVBDlaZQN24Qs8u8sly0VqXjhA9NjyUuxWXPFkAI90cJ2qp4CZOKBj_5pt4ypiJOjQjCn6jF0sP38/s1600/La+Belle+et+la+Be%25CC%2582te+de+Jean+Cocteau+1946+%25284%2529.png
Fig. 4 -
https://media.giphy.com/media/ANEKRbKYIeaoU/giphy.gif
Hi Divine,
ReplyDeleteOk, firstly, have a look back at my comments on your 'Alien' review, as they all pretty much apply here too... the order of the bibliography, and using surnames instead of first names, for example.
Make sure that you proofread before posting, so that everything makes sense; here, for example, you have a piece that reads differently to what you what you were intending - 'The story is about a kind beast trapped in a kingdom because of his appearance. ‘Belle’ looks for his trapped father and takes his position.' It sounds as though Belle is looking for the Beast's trapped father...
Some good discussion around the mise-en-scene though :)